Missing Files / 2012 – 2013
In the “Missing Files” series, the artist uses leftovers from her own digital production. Old video project files, corrupted by copying them too often, become the foundation for new paintings, objects, and video installations. The video software replaces missing files with “screen mates. The previously composed animations and cuts stay intact.
“The noise in Marcelina Wellmer’s works is audiovisual, particularly in the series Missing Files (2011-2013), which consists of screens with digital images and painted canvases. This work is inspired by the incompatibility of files caused by numerous copying operations within a computer. The illegible remnants of audiovisual projects are revealed and processed, so that the categories change completely: both the paintings and the digital images lose their functionality and acquire different characteristics. The processing of rejected and damaged components is a strategy of cultural garbology, based on the reuse of the content of digital rubbish. As a result of the use of redundant data, both digital images and regular paintings are remediated and shifted into a new aesthetic dimension”.
Text: E. Wojtowicz PhD, Academy of Fine Arts Poznan, Poland
Missing File 01_02_03_04 / move (loop), MDF boxes / variables arrangement / 2012
Missing File 01_02_ / move (loop), MDF boxes / variables arrangement / 2012
Missing File 01_02_ / move (loop) /2012
Missing Files / computer, burnt paper /2012
Missing File 01_02_03_04 (..) / Oil on canvas, formed / plastic boxes – variables arrangement / 2013
Missing File 01_02_03_04 / Oil on canvas, formed in plastic boxes – variables arrangement / 2013
Missing File 06_07_ / oil on canvas / 150 x 150 cm & 160 x 210 cm / exhibition view Staycation Museum / 2013
Error 404 502 410 / 2019 – 2012
The project “Error 502 404 410” is a generative sound installation based on the phenomenon of server errors. Rarely noticed when they occur, these technical failures are accompanied by sounds. The discrete work of hard disk appliances becomes both an example of “reverse engineering” and an attempt at translation between media. The obscure realm of data noise is revealed and given an aesthetic frame by the artist’s scientific approach. As the disks rotate in an endless loop of self-reference, the recursion is not always regular because it is disturbed by the randomness factor.
ERROR 404 502 410 / burned tree / 3 hard discs, acrylic glass, Arduino, DIY electronics, piezzos, speakers.
ERROR 404 502 410
ERROR 404 502 410 / close up
ERROR 404 502 410
What do computer errors sound like? In our everyday use of computers error messages are communicated without sound. Most likely you are presented with matter-of-fact information like, “Server Error. The server has encountered a temporary error and could not complete your request”, or “Oops…This link appears to be broken HTTP 404 File not found.” These silent messages are software interfaces designed to prevent you from having to worry about or engage with what is taking place at the deeper level of the computer‚s processor.
I created a group of hardware interfaces to three common errors that – beyond principles of usability – challenge the visitor to relate to the materiality of errors through the abstract qualities of sound.
Onto the disks of the drives I laser etched the 404 502 410 status codes in big Latin letters. Because of the lasered letters the disk routine stops and the write/read head goes back into its rest position, the disk powers down. A contact microphone is attached to the hard disk drive, recording the mechanical sounds of the moving disk and the write/read head. The sound gets amplified by an equalizer, pronouncing the rhythmical pattern of read action and the disk spinning. The boot routine creates a composition of random length and rhythm, that is always slightly different, depending on how and where on the spinning disk the read / write head gets distracted by the laser etched letters. While the disk is powered down and isn‚t spinning, the text becomes readable by the audience.
Poetry Machine / 2013
Poetry Machine randomly mixes two poems by William Blake: “Little Girl Lost” and “Little Boy Lost”. The poems are read aloud by the machine. Each time the reading is started, it may be different due to an algorithm that determines the use of a particular verse from the database. The artificial voices are synthesized by computer software. The human body influences and interacts with the machine. Depending on the listener’s distance from the object, the voices change: their volume shifts, phrases mix, and the sound becomes distorted. The work plays with the sensitivity of the machine, the fragility of digital memory, and the interaction between the human body and the artificial object.
Poetry Machine / music stand, speakers, distance sensor, DIY mp3 platin / 2013
Poetry Machine / Music stand, speakers, distance sensor, DIY mp3
Poetry Machine / Music stand, speakers, distance sensor, DIY mp3 / Berlin Institut for Culture Inquiry / 2013
Poetry Machine / audio&video documentation / Berlin Institut for Culture Inquiry / 2013